
Thinking with Lichens; Attending to Trace
2025
Video, sound, textiles, sculpture, scent
What might thinking through and sensing with the figure of the lichen offer? Lichens have survived and thrived in ruins over and over. This work approaches lichen as bioindicator, witness and archive. These composite, queer organisms question notions of the individual, capitalist time and heteronormative narratives of sexuality and survival.
Thinking with Lichens; Attending to Trace considers how ecologies of sensitivity might be woven from living histories, infrastructures and sign givers. Working with lichens, peat bogs and an ancient temperate rainforest on Dartmoor, the piece weaves together seepages of information in an attempt to sense with other organisms, temporalities and scales.

This body of work was developed and installed for the Art & Ecology MA degree show at Goldsmiths, London. The video was projected onto a 3.2 x 1.8 m screen, with stereo sound through out the space.
Stills from the moving image work Thinking with Lichens ; Fieldnotes for Attending to Trace
– 15:45 mins
The slow process of making the digitally knit, lichen dyed vest became in integral part of the piece. The work was developed whilst playing with ways to make material witness garments that capture traces of spectral ecologies and the knitting together of stories, knowledges and senses.
Starting with undyed wool yarn, the spool was separated into hanks ready to mordent & then dye. The yarn was organised and dyed into three main colours;
Yellow – boil dye from windfall lichen gathered around the area of ancient temperate rai forest I’ve been work with.
Blue – industrial lichen derived litmus solution
Pink/ Browns – litmus dye reacted from being buried in the peat bogs at the same site.
The yarn was then dried, waxed for strength and re-coned ready for the digital knit machine. The coordinates of where the yarn was buried for three nights is worked into the vest design.

Lichen Oil
Lichen scent was extracted from windfall lichen slowly gathered primarily from around the edges of the ancient temperate rainforest on Dartmoor. The process of distilling produced a small and precious amount of oil. This lichen essence was displayed on a metal plate engraved with a constellation of ways to approach thinking with the figure of the lichen.
